Analysis Of Film The Filmmaking World - 1197 Words

Director Comparative Analysis In the filmmaking world, the different uses of cinematography are endless. In many cases, a director’s editing techniques and narrative are so distinct that one might differentiate the film’s director just by examining its cinematic language. For example, Steven Spielberg uses signature works in many of his films that allow viewers to categorize them as his own. Spielberg, a famous Hollywood style director, was born in Ohio. He kicked off his Hollywood career after directing his low budget films Firelight and Amblin’. After he signed his contract with Universal Studios, the director went on to film record-breaking movies. A few of Spielberg’s movies include Jaws, Jurassic Park, and E.T. The Extra Terrestrial. These films share some of this iconic filmmaker’s trademarks such as the long take, character expressions, and the reoccurring theme of family. First, what is a long take? This element of cinematography is one of S pielberg’s greatest signatures; he holds the title, â€Å"The Spielberg Oner.† This type of shot is continuous, and does not cut away to other shots. The main camera follows the action and characters, and no editing is used. In the old world of filmography, long takes were very common. In fact, some films were entirely composed of sequences of long takes. Nowadays, this technique is not often used, and when they are, they are very noticeable. This is where Steven Spielberg stands out; in his films, this director’s long takes are notShow MoreRelatedThe Utilisation Of Symmetry Within Filmmaking1645 Words   |  7 Pageswithin filmmaking, primarily in cinematography, is a stylised technique used to highlight significant events film narratives. This proposal will decipher whether symmetry used as a stylistic filmic technique, is a notable and powerful visual aid that heightens the viewers experience and significance of narrative developments. The purpose of this st udy is to gauge information about how symmetry showcases a posed and staged approach in filmmaking, and if that will drive the movement of film narrativesRead MoreWhat Is Cinema? The World s Most Complex, Collaborative, And Costly Essay1148 Words   |  5 Pagesin the 19th century. It is the world’s most complex, collaborative, and costly artistic expression. Initially, the first two versions of the film camera used were the kineto-graph and its European counterpart, the cinematograph to record daily events like a train arrival at a station and an electrocuting elephant. It was after that when Documentary filmmaking was then born and tremendously explored. Average men were instructed on how to use the recently-created camera and were hired to go for journeysRead MoreDefining Socially Conscious Film Making Essay1311 Words   |  6 Pages DOES THE END JUSTIFY THE MEANS? HOW DO WE DEFINE SOCIALLY CONSCIOUS FILMMAKING? Two accountants recently told me that the IRS is questioning (as they tended to do so years ago) whether filmmakers are hobbyists or professionals. They determine this on the basis of whether or not profits are made on a sustainable basis. Most obviously, one of the main issues facing our industry is supply and demand—too many people willing to work for low wages in an industry in which there is too little demandRead MoreNetwork of People in the Film Industry Essay example1120 Words   |  5 PagesNetwork of people in the film industry The film industry, unlike the music industry or the art world, consists of simultaneously literary, visual and audio elements. As a result, the film industry is a complex industry with talents from more diverse fields involved. According to a web page, Film Jobs Hierarchy (2013), the production of a film normally consist of four phases, namely development, pre production, production and post production, and an additional phase of distribution. Each involvesRead MoreReflection Of Casablanca1282 Words   |  6 Pages Throughout the term I have begun experiencing movies in a different way. The class has taken ideas of cinematography, theory, and film history and practically applied it to physically watching movies. By breaking down scenes and movies as a whole, the way I look at films in general has developed. A reflection on two of the films from this term, Casablanca (Curtiz, 1942) and North by Northwest (Hitchcock, 1959) will carry the bulk of the essay. Though, I will also be discussing how this class changedRead MoreFilm Analysis : Akira Kurosawa s Samurai Films1672 Words   |  7 PagesAmerica dominated the freshly emerged film industry. Each country had their own distinctive filming style, which in turn helped them each eventually make a name for themselves in this rising industry. Noh Theater, soft self-analysis, and minimalism heavily influenced Japan’s filming techniques. Meanwhile, America was the complete opposite with their flashy action scenes, dramatic effects, and plot-dri ven films. Kurosawa integrated western styles of filmmaking along with Japanese style to create hisRead MoreFilm Review On The Film Cinema 1673 Words   |  7 Pagescraft, thus giving individual films a specific personality which therefore eased the process of discerning which piece of cinema was created by which filmmaker. Because of the progress made in film technology, especially early on, certain aspects of filmmaking that once were inconceivable (camera movement, Foley, CGI) are often employed in the films that audiences view today. Although, while the evolution of technology may be linear, it cannot be assumed that quality of film follows the same trend. InsteadRead MoreEssay about Land Without Bread1391 Words   |  6 PagesLand Without Bread by Luis Bunuel There are numerous ethnographic surrealist films that have an intriguing relationship to aesthetics and politics. A film that exemplifies this relationship is â€Å"Las Hurdes: Tierra Sin Pan† (Land Without Bread). This film is only 27-minutes and is directed by the infamous Luis Bunuel in 1933. Bunuel was a Spanish filmmaker of the 1920’s to the 1970’s. He is often attributed to being one of the major contributors to the surrealist movement of the 1920’s. â€Å"EthnographicRead MoreMovie Analysis : The Hurt Locker1515 Words   |  7 Pagesleader Sergeant First Class William James in Katherine Bigelow’s film The Hurt Locker (2008) provides insight to a world that much of the audience will never experience. Although The Hurt Locker would be regarded as a â€Å"realistic† film in form and content by modern standards, the resulting product would not belong totally to â€Å"realist cinema† as defined by French theorist and film ciritic A ndre Bazin. Bigelow’s directive approach to the film opposes the core of his writings with the use close ups, obtrusiveRead MoreAnalysis Of Gunning s Theory, The Term `` Attractions ``2469 Words   |  10 Pageshis attempt to find a new model and mode of analysis for the theater (Eisenstein, 1970). In Gerould’s (Gerould, 1974) Einstein Montage of Attractions he states: An attraction aggressively subjected the spectator to â€Å"sensual or psychological impact.† According to Eisenstein, theater should consist of a montage of such attractions, creating a relation to the spectator entirely different from his absorption in â€Å"illusory imitativeness. When advertising a film it is important for the producers to create